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Transients vs Loud Mixes
There's a good reason the big boy mixes are loud as hell but still pound like crazy and don't sound distorted. They aren't chewing up their peak level.
One of the trickiest parts of being a home recorder these days is getting mixes that are loud AND still sound good. Old timers may not agree, but I'm in the camp that only a few big boy recordings have been screwed up by taking the loudness gig too far, but I have to say that I'm impressed by how loud AND GOOD so many major label recordings are these days. (That's my view, take it or leave it. I like a lot of modern music.)
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