Showing posts with label DigitalAudio. Show all posts
Showing posts with label DigitalAudio. Show all posts

Saturday, January 26, 2013

get-better-mixes-by-going-for-the-big-wins


Posted in: Mixing, Tips
| by: Graham

Want some mixing advice? Don’t spend too much time focused on the little details. Sure all the fine tuning is important, but you don’t want to overspend your time and energy there. Instead, pour the majority of your mixing brain power into these three core areas and you’ll get big results. Trust me.
Build A Killer Static Mix



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Tuesday, February 14, 2012

Harnessing The Power Of Digital Signal Processing - Pro Sound Web

AV: Harnessing The Power Of Digital Signal Processing - Pro Sound Web


In the previous segment, we looked at the basic process of using a high-resolution FFT (Fast Fourier Transform) analyzer to view the frequency and phase response of a 12-inch cone driver in a typical 12-inch/2-way loudspeaker.

In that segment, we established that the 30-degree off-axis response of the cone driver is substantially lower in level (12 to 18 dB), as well as highly irregular in phase and frequency above approximately 2 kHz, when compared to the driver’s on-axis response (Figure 1).

This information allows us make an educated guess at the range where the cone driver should be crossed over.

In this particular case, the 30-degree off-axis response is linear up until about 1.28 kHz, after which the output until about 2 kHz. At 2.1 kHz, the output level begins to descend rapidly as the driver enters its breakup mode (see sidebar for discussion of “breakup mode”).

Therefore, the optimal crossover could be as low as 300 to 500 Hz (for loudspeakers that employ a mid-range driver) to as high as perhaps 1.3 kHz, while still maintaining a 60-degree angle of vertical dispersion.

However, if the 12-inch cone is to be mated with a 90-degree (or wider) HF horn and driver, approximately 1 kHz should be the upper limit, as the off-axis response at 45 degrees will be much worse than at 30 degrees. Further, if the cone driver were to be 15-inch in diameter rather than 12-inch, as is common in many 2-way loudspeakers, its off-axis response will become irregular at even lower frequencies than the 12-inch cone driver, due to the larger diameter of the cone.
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Wednesday, April 6, 2011

The “L” Word - Latency & Digital Audio Systems: Opening Pandora’s Box? - Pro Sound Web

AV: The “L” Word - Latency & Digital Audio Systems: Opening Pandora’s Box? - Pro Sound Web
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Monday, April 4, 2011

The Evolution Of Digital Audio Technology To Now & The Next Generation - Pro Sound Web

AV: The Evolution Of Digital Audio Technology To Now & The Next Generation - Pro Sound Web
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Sunday, March 27, 2011

Digital vs Analog | Music Software Training and Ableton Tutorial Videos

Digital vs Analog | Music Software Training and Ableton Tutorial Videos
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Tuesday, March 8, 2011

The Tesseract: Home Recording Tip 3-4: Only drums and percussive instruments should come close to filling up the meters in ProTools or any DAW

The Tesseract: Home Recording Tip 3-4: Only drums and percussive instruments should come close to filling up the meters in ProTools or any DAW
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Thursday, March 3, 2011

Much Ado About Dithering - Audiofanzine

Much Ado About Dithering - Audiofanzine
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Saturday, February 12, 2011

dBzee: Digital Recording Levels - a rule of thumb

dBzee: Digital Recording Levels - a rule of thumb
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Friday, February 11, 2011

Master Bus Techniques | Vincent di Pasquale Tips and Techniques on Using Master Bus

Master Bus Techniques | Vincent di Pasquale Tips and Techniques on Using Master Bus
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Friday, February 4, 2011

Secrets Of The Mix Engineers | compendium of links

Secrets Of The Mix Engineers | compendium of links
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Monday, January 31, 2011

Is The DAW Dead? » Synthtopia

Is The DAW Dead? » Synthtopia
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Sunday, January 30, 2011

Using S/PDIF and ADAT Inputs [Ask Joe] | Home Studio Corner

Using S/PDIF and ADAT Inputs [Ask Joe] | Home Studio Corner
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